Tag Archives: New York
CoCo & Delilah
If you have five weddings this summer and no time to shop, kill five birds with one stone at CoCo & Delilah, a great source for party dresses. The East Village boutique is chock full of frocks and tops from indie brands like Seaton, Central Park West, and LA’s Voom (right) to international stars like Tibi. You don’t even need to think in this store; the owners have a great eye and have done all the work for you.
Julie Brown pink dress, $260
Central Park West $174
Tibi $319
In the window: a black-and-white Christopher Deane $314
Owner Colette LoVullo is rolling out her own line this fall. Expect more inventive designs like this one, below, for $196, which allows you to leave the sleeves down or push them up to achieve some dramatic poufiness.
And did I mention they’re having a sale?
CoCo & Delilah
115 St. Mark’s Place, between First Avenue and Avenue A
New York, New York
212-254-8741
East Village, Summer
We interrupt this broadcast for an East Village Rant: The area south of 14th Street, north of Houston, and east of Fifth Avenue is not “the Lower East Side.” It is the East Village.
Now back to your regularly scheduled programming.
I certainly didn’t find these fresh flowers on the Lower East Side.
If this is the Lower East Side, where are all the cabaret licenses?
We were here before the hipsters.
Bastards.
Fette Sau
Perhaps no other advertising campaign has done a greater disservice to its product than “Pork: The Other White Meat.” Borne out of the fat-phobic late ’80s, the National Pork Board’s campaign reduced the entire animal to the pork chop. If the complex, meaty, by turns fatty and lean pig could talk, she would no doubt tell you: I am so not a chicken.
Twenty years later, our obsession with barbecue and pork’s ability to take on and emphasize spicy, smoky flavors may seem new, but it has long been part of the basic vocabulary in Chinese, Korean, Italian, German, and yes, Southern cuisine. Consider this: would David Chang of Momofuku be David Chang without his silent partner, the Berkshire pig?
It requires a certain mania for the fatty beast to see a barbecue joint in an auto body shop, bring in a crypt-sized Southern Queen smoker, make all the right connections with Berkshire pork suppliers, and open your doors for business. But that’s just what owners Kim and Joe Carroll of Fette Sau have done.
By now you probably know what’s on the menu: pork spareribs, pork sausages, pulled pork, plus some beef brisket to give that guy a nod too. But it’s the sau that impresses. Fatty, rich pork belly is like the foie gras of pork products. The ribs are charred on the outside, meaty and tender between the bones. There’s an espresso-and-brown-sugar rub on them, but as with the pulled pork, the true deliciousness comes from the unadulterated flavor of smoke. The Southern Queen smoker – and chef Matt Lang – sure can cook.
I’m no barbecue expert, since I come from Maryland, the no-man’s-land considered the South by Yankees but disdained by Carolinians and ignored by Texans. But barbecue experts have endorsed Fette Sau’s separation of meat from sauce, which you combine yourself at the table. The sweet sauce is the traditional mix of ketchup, vinegar, maybe a bit of Worchestershire sauce, and some other secret ingredients, but it was still my favorite because of my Southern-ish sweet tooth – same goes for the sweet white rolls. Fette Sau’s spicy sauce is a much more complex, mole-like mixture that tastes of coffee, dried chilies, molasses, and unsweetened chocolate. The two would taste great mixed together.
The non-meat sides received a drubbing in previous reviews of Fette Sau, so we skipped these – except for the excellent Gus’ half sour pickles – and headed straight for the baked beans. Embedded with hunks of brisket, they tasted like the ideal incarnation of Fette Sau’s mole-like spicy sauce.
Though the atmosphere is pretty much the polar opposite of Frederick’s Downtown, Fette Sau does have that see-and-be-seen scene, Williamsburg version, lots of outdoor seating at picnic tables, and few rules. (“No drinks outside after 11pm.”) Walking into the garage, I felt the same kind of relief a teenager experiences upon arriving at a keg party in somebody’s indestructible concrete basement. It’s the kind of place where you can let your hair down, don some Williamsburg style glasses in weird 80’s frames à la Michael Caine, and drink a gallon of beer – literally. A slew of microbrews is dispensed from pulls rigged with butchery tools into gallon-size glass jugs. If that doesn’t spell an afternoon of Brooklyn patio drinking, I don’t know what does. Just get there early because, like Pies ‘N’ Thighs, Fette Sau tends to run out of food, usually by 9:30pm on weekends.
The extensive list of bourbon, whiskey and rye is like the bonanza of breaking into the absentee parents’ liquor cabinet: Whiskey, all you want! We particularly liked the Tuthilltown rye and the Black Maple Hill bourbon. If you’re really daring, knowledgeable bartender Dave Herman will serve you a bit of corn mash liquor that tastes like moonshine: the ceramic jug says it all.
As with a keg party, days later, my clothes still smell like smoke, but this time it’s the alluring scent of barbecue. It even makes me hungry, which is no problem, because like addicted regulars at Fette Sau, I ordered more pulled pork at the end of the night – to go.
Fette Sau
354 Metropolitan Avenue at Havemyer Street
Williamsburg, Brooklyn, New York
718-963-3404
for directions go to hopstop.com
Gotham Bar and Grill
A friend and I were discussing the Strip House the other day when he said, “If I wanted to have a nice steak in the neighborhood, I would much rather go across the street to Gotham Bar and Grill.”
I’m a fan of the Strip House, but I could see his point. Gotham Bar and Grill, once famous as the instigator of the towering-food trend, has once again become a favorite in the Village, thanks to Alfred Portale’s critical acclaim and the efforts of sociable sommelier Michael Greenly, who has recruited a wealthy young clientele to the place. The still-chic restaurant has a pedigree on par with Union Square Cafe and Gramercy Tavern, but because it is less well known in the hinterlands, it’s still a neighborhood place.
On a packed Sunday night a couple of weeks ago, I gave Gotham Bar and Grill another try after nearly ten years. (I once met Greenly, and he reprimanded me for not going there earlier. He has since left Gotham for a job in Napa, but the standout wine list remains.) The grand Tihany lamp shades are still there. At the bar, we ordered this 2000 Grands Echezeaux Mongeard Mugneret. The bartendress was ecstatic.
My dining companions, let’s call them “Mom and Dad,” since they are, talked about the wine list. Dad pointed out an excellent 1998 Domaine Leroy Rochebourg for $1,100. (We didn’t get that one.) He put a buy on 2005 burgundies, which he called the best in 25 years.
“I hope you’re not buying them,” Mom said.
“I am.” Dad’s wine cellar is slowly taking over the entire basement.
Not very many places in the neighborhood could qualify as purveyors of haute cuisine, but Gotham can. Alfred Portale won the James Beard award for Most Outstanding Chef in the Nation in 2006. A winning combination of delicate white asparagus, fresh morels, and a perfectly poached egg was a fabulous seasonal appetizer – get it while it lasts. The citrusy black bass ceviche was also startlingly good. Jicama, pineapple, and red pepper created a sort of firecracker effect of many bright flavors going off simultaneously.
Local Pine Island oysters, a traditional New York offering, mixed East Coast size with West Coast sweetness. Subtle and light, they were best eaten plain.
“That’s some serious cholesterol,” Dad said, as a server put a rack of lamb in front of him. He meant it as a compliment.
On that night, I noticed something I’ve been noticing a lot recently – the appetizers were a lot more dazzling than the entrees. It’s as if, with the first impression over with, someone in the kitchen is saying, “Phew – now I can relax.” Granted, that person might not have been Alfred Portale himself, particularly since it was a Sunday night, usually a chef’s night off, so it might not be fair to judge everything on this.
In the entrees, the quality of the ingredients was still there, but not as much attention had been paid to them. The lamb, though it looks elaborate and towering, couldn’t have been cooked more plainly. It was crying out for garlic, salt, pepper – anything. The lobster was covered in a butter foam, but this and the squab might have been a little overcooked – they lacked the tenderness I was expecting.
There were still plenty of haute cuisine touches. The black beer sauce in the squab dish gave it a nice contrasting bitterness to the sweetness of the choucroute and rich foie gras sausage. It was creative and original, and it made perfect sense.
We lingered over some after dinner drinks – the Madeira Boal D’Oliveros was my favorite – and surveyed the scene. Why had it taken me so long to get back here? I don’t know, but I’m not going to wait another ten years to return to Gotham Bar and Grill.
Besides, I still haven’t tried the steak.
Gotham Bar and Grill
12 East 12th Street, between University Place and Fifth Avenue
212-620-4020
Click here for the menu and wine list. To their credit, the staff at Gotham Bar and Grill is so attentive that I was unable to steal either.
The Meatpacking District
A Sunday afternoon spent in and around Pastis.
bike
a mother and son duo
a quirky granny look on the Pastis hostess
Mexican top
lavender
teenager
draping
patio dress
black top with white skirt
These L.L. Bean canvas totes are experiencing a resurgence in an unlikely market: urban gay men, and a few stylish straight ones.
layered haircut in the extreme
a shock of color
More on Madison
Looking for street chic is a little like fishing: When you find a lucky spot in the pond, you come back to it. Madison and 58th is just such a place in Manhattan’s fashion pool.
mohawk
Chanel and Louis Vuitton
all white
a quirky granny look
pocket squares
white trench
bangs
silver accessories
a ladylike look
the disheveled intellectual look
paint-splattered jeans
Not sure if this scarf shirt is Anne Fontaine or Doo.Ri for Gap. They are awfully similar.
Shanghai Tang robes are a fave among women in the market for maternity wear. The further along you get, the more toggles you unbutton.
white dress and brown bag
pixie haircut
nice use of color
cropped jacket and gold shoes
ties for fun?
gray
Mexican top
Pucci tie
Mercat
CLOSED
It’s been around for years now, but the tapas trend is still going strong, since small plates mean big profits for restaurant investors. To explain the trend further, I followed the example of Jessica Hagy’s Indexed and drew up this Venn diagram for you.
Mercat is the latest player to enter the tapas game. Chef Jaime Reixach comes to us from Barcelona, and his American co-chefs bring Bouley, Jean-Georges, and Casa Mono experience to the kitchen. Expectations for Mercat are running high.
We walked through the unmarked entrance the other night and into the exposed-brick space for a drink at the open and airy bar. It’s worth coming here early and trying to get a seat if you can’t snag a rez at Mercat.
By some miracle, we had a reservation, and the women in our party were seated before the guys arrived from the bar. The waitress came up to us, took one look at me and my friend, who is quite pretty and was done to the nines that night, and must have decided we were High Maintenance.
“There aren’t any vegetables on the menu, but we can prepare the day’s special vegetables for you,” she blurted out.
Ah, anorexics and tapas. No wonder our waitress made the assumption we wouldn’t want anything caloric. Tapas places are a big draw for anorexics, because you can go through a whole meal of shared small plates without anyone noticing you haven’t eaten anything all night. Hooray!
Needless to say, I am not anorexic, and neither is my friend, but we appreciated the offer of fresh vegetables. The sugar snap peas were Green Market fresh and bathed in salty butter. It was the best preparation of sugar snap peas I’ve had since Grange Hall, where the style was equally fresh and simple. We also ordered the padrones, blistered Padron peppers, because we thought they might be like Nobu’s. They were, but Nobu’s are a little better than Mercat’s, which were slightly overcooked. But Mercat’s still had that great salty-sweet combination and the excitement factor: You never know when you’re going to bite into the rare spicy pepper.
The guys hoarded a plate of ham until I stuck my fork in that direction often enough for them to return it to the center of the table. Jamon is Mercat’s specialty; they have a whole ham-slicing station next to the bar. Traditional serrano ham, center, was slightly dry at the edges and as flavorful as an excellent prosciutto. The small, spicy fuet sausages at the edge of the plate were fiery and surprisingly complex.
High Maintenance ordered the carxofes, which she loves. As mentioned in the Morandi review, I don’t really “get” fried artichokes, millenia of Roman history aside. But Mercat’s were the best of both worlds for artichoke fans, because they are first fried, then quartered to reveal the tender inside, so that you still have a bit of artichoke to dip in the garlicky sauce.
We all inhaled the patatas bravas. Drizzled with chili-garlic mayonnaise, they were probably fried, not baked, but they were so delicious we didn’t care how many calories they contained. It bears noting, however, that carbs can be easily separated from meat here, which really appeals to people on Atkins and which also accounts for tapas’ popularity.
When we got to the main courses, the kitchen’s newness began to show. I’d heard the monkfish a la planxa in Romanesco sauce was good, but it was decidedly not so. The rule for buying fish is to avoid anything that smells fishy, unless you’re dealing with an oily one like bluefish, and that’s in its raw state. Something alarming is going on if monkfish smells fishy from across the table when cooked, as Mercat’s did. This may be a result of the wood absorbing the fish oils as it roasted, but it was still unappealing.
The grilled hanger steak was completely overwhelmed by a few clinging bits of garlic and parsley. How could this be? As steaks go, hanger has real swagger. It’s almost impossible to subdue its pleasantly gamey flavor, unless you marinate it for days in something really, really strong. The contrast of steak to garlic-parsley would have been preferable to one overpowering note.
Whenever a dish proved disappointing, the next one would be blessedly good, like the pa amb tomaquet, toasted bread rubbed with tomato and olive oil. And garlic, though wisely, the menu does not tell you just how much garlic you are eating at Mercat. We couldn’t stop eating these and ordered four plates total. This is where the attention to corporate profits comes in: $4 for 2 pieces bread x 4 orders = $16 for 8 slices bread. Meanwhile, Mercat probably paid about $2 at wholesale for the whole loaf of bread. That’s at least an 800 percent profit.
Some of the second courses, like the guinea
hen with wax beans, cranberries and thyme and the sauteed pea shoots with golden raisins and toasted pine nuts, sounded and looked a lot more exciting than they tasted. But this mellowness could also translate into a kind of Spanish comfort food, like the omelet with chorizo, caramelized onions, and potatoes.
High Maintenance was not going home without the churros con chocolata, so neither were we. No regrets, though: the churros tasted like apple-cider doughnuts, the chocolate like Mexican spice. They went nicely with our rioja.
Despite the kitchen’s inconsistency, which one hopes will be ironed out over time, Mercat is still a “buy.” The atmosphere is great and fun, if a little loud, and the open kitchen design makes everything a little more convivial and Top-Chef-like.
We have chef Ferran Adria to thank for the Spanish trend in New York. If he hadn’t made big profits selling it, would we have bought it? And if we weren’t prey to faddish diets, would we be so faddish about food? There’s a circular logic to the tapas trend, but no one’s complaining about the results.
Mercat
45 Bond Street, between Lafayette and the Bowery
212-529-8600
The Last Days of 10021
It may be the last days of a unified 10021, but the posh spirit of the Upper East Side should continue to run unchecked up Madison Avenue. During the nice weather, the well-heeled finally step out of their Town Cars and take a stroll.
Below, traveling up Madison Avenue, with stops at Roger Vivier and Tom Ford on the way.
double breasted brass
ruffles
The bad news: the new Roger Vivier store is just as tempting as it’s cracked up to be. The good news: the prices are the same as or less than Bergdorf’s shoe department. Somewhere, Manolo Blahnik should be worried. Very worried.
by far the coolest silver sandals of the season
These shoes just made me want to kill myself.
outside at Frederick’s
mini dress with capri leggings
white Diane von Furstenberg with white capri leggings, left, and Missioni, right
chic pregnancy
Tom Ford has only gotten better with age. Everything in his drop-dead sexy new boutique telegraphs the message, “You want to sleep with me.” He can even make the clichéd Japanese men’s silk dressing gown look desirable. Will Ferrell, eat your heart out.
Above, the fragrance Japan Noir. It’s no coincidence that the aesthetic here feels both modern yet familiar: Eastern influences plus traditional men’s clothing draws on the fad of Orientalism at the turn of the last century.
Below, haber-Dash!
tuxedo shoes laced with grosgrain ribbon
sexy aviators with a bit of a wrap-around
woman amid construction workers
Chloe shopping bag
navy top and orange coral necklace. A great color combination for the season, it references Hermes and the nautical trend.
all black with draping
Roger Vivier
750 Madison Avenue at 65th Street
212-861-5371
Tom Ford
845 Madison Avenue at 70th Street
212-359-0300
Sushi of Gari 46
Omakase is the trust fall of dining. Not only are you taking whatever the chef dishes out, at traditional sushi restaurants, you’re taking it raw. Usually this should not be attempted on Restaurant Row in the theater district, where you’ll find shrimp scampi as half-baked as the latest 80’s-pop-culture musical adaptation. But the best thing in previews right now is a traveling show: Sushi of Gari 46.
If you haven’t been to Gari on either the Upper West Side or Upper East Side, it’s the kind of place where the chefs wince if you order a Coke or dunk the rice side of your sushi in a brimming dish of soy sauce. But so much artistry goes into the creation of Gari’s omakase that it’s no wonder they’re irked by neophytes.
The spirit of experimentation at Sushi of Gari 46 is evident by the first course. Black bean paste came in a chewy square, left, and yellowtail was ground up, seasoned with something even fishier, and fried into a fish ball. The staff is friendly, but it’s definitely English-as-a-second-language here, so it took a while to understand what exactly is the pleasantly chewy ingredient in the peanut noodle dish: burdock root, which was quite tasty.
The liquid-smoke flavor I noticed at Katsuya in L.A. reappeared here in the seared baby yellowtail, far left. It was barely cooked, but it was deliciously redolent with char. Continuing from left to right, next came salmon tonnato, red snapper decked with an Italian combo of spicy lettuce and pinenuts. (Do we need an Italian-Japanese place like Natsumi, or do we just need more creative sushi chefs like Masatoshi Gari Sugio?)
Sushi of Gari is known more for the things Sugio can do with sushi than the quality of fish he procures, and this held true for this newest branch of Gari too. Some of the plainer preparations, like the bluefin tuna with a tofu schmear, far right, were boring when not jazzed up by very flavorful extra ingredients or sauces. But these could be subtle, too, like the raw lobster, second from left, which tasted as if it had been infused with herbs backstage, though it arrived at the table unadorned.
One of the best things we sampled was the fatty tuna glazed in the chef’s oyster soy sauce, far right. This was a very high quality, melt-in-your-mouth piece of fish. Gari’s oyster sauce, like Momofuku’s hoisin sauce, is so
much more delectable because it’s made in-house.
Some of Gari’s creations pushed the envelope a little too far, like the Spanish mackerel decked with shiitakes, second from left above. The two flavors might have been excellent on their own, but the smoky taste of the mushrooms clashed with the mackerel’s fishy taste.
Then came the worst thing of all: Nothing! That was the last course, our waiter informed us when he came to clear our plates.
“You should have warned us!” my friend cried, only half kidding. The four course omakase had set us back $75 each, but it was filling.
The show at Sushi of Gari 46 was over. Onto the next: Love Musik, a great musical still in previews, starring Michael Cerveris and the brilliant Donna Murphy. Just when I was beginning to think the phrases “Restaurant Row” and “big-budget musical” might be synonymous with “mediocrity,” along came true creativity and intellectual stimulation in the unlikeliest of places.
Sushi of Gari 46
347 West 46th Street, between 8th and 9th Avenues
212-957-0046
Bryant Park at Lunchtime
Long after the tents have been put away, Bryant Park is still home to a fashion show.
the white trench
newsboy cap
ruffled blouse
orange and blue
cherry red
pixie haircuts
shirt dress
an elegant take on black and white
straw hat
trapeze top and multiple necklaces
the modern side of an old tradition
bold checks
colors
the nautical look with wide-leg jeans
red dress
little white dress
an 80’s haircut
knee-length shorts
luncheon on the grass
Astor Place, Rain and Shine
Astor Place over two days, one sunny, one with April showers.
The print trend chronicled by Bill Cunningham in this Sunday’s Styles isn’t just for dresses; there’s also an abundance of patterned jackets and umbrellas.
a nice use of color
big headphones as accessory
mohawks
school girl chic
cherry pop
the umbrella in the middle is patterned with comics
pink polka dots
Missioni zigzag stripes
patterned with an olde city map
More on Morandi, and Who I Am
Addendum, later that night, 3/30/07: Morandi is ready for prime time, folks! Guess what? Ever intrepid, I went back to Morandi after writing this. The wines by the carafe I would now recommend are the Puglia 2005 Rosato (aka rosé, very nice with the usual artichoke/mozzarella starters and not available on original list), the Liguria, a white 2004 Al Barola (not available on the original list), and the Toscana, a 2004 Rosso di Montalcino (which might have replaced my original bad Tuscan wine experience). At last, this tastes like the real Florentine Chianti jug wine.
This is what blogs are for: initial commentary. I am happy that we diners have secured some excellent carafe wines to drink at Morandi. Mille grazie, Keith.
The real story in online restaurant reviews is often in the comments. Witness the recent brouhaha over Frank Bruni’s snapshot of Balthazar in the Times’ new food blog, Diner’s Journal. Cataloging a single meal, Bruni proclaimed the risotto “inexcusable” and the chicken “overcooked.” As soon as the review went up, the comments started to fly. A host of diners wrote in about similar negative experiences at Balthazar, others had nothing but good things to say, and a number of industry people defended the restaurant’s good intentions – waiters, hosts, restauranteurs, and finally even one beleaguered Balthazar chef himself, Riad Nasr. All this prompted Bruni write in a follow-up post: “I tried to stress in my blog post that it was a single experience — that my descriptions didn’t amount to a formal review.”
I don’t have 50+ people writing in response to my reviews (and yes, I call mine reviews), but after enraging a couple of winos with my comments about the wine at Morandi, I thought it might be time to set the record straight. What I am trying to do with the reviews is give you a first impression of a restaurant. For the new places, I try to wait at least three weeks to let a kitchen get its legs. I’m not trying to convey an experience of the entire menu (or the wine list) from A to Z, just my opinion of the place and an idea of what it’s like to dine there.
Back to Morandi
For you, dear readers, I stole a wine list and scanned the whole thing in, probably outing myself as a critic in the process. (Have you ever tried to steal a 12×15 booklet bound by two pieces of wood? It’s not easy, even with the help of a trench coat.) The entire wine list is below. Correction: the list is not paltry but extensive. I was initially reacting to just the “vini della casa” available by the glass and carafe and should have been clearer about that in the review.
Second, though I fully endorse Morandi as a whole, I still am not crazy about the wines available by the glass or carafe (addendum: but see above), which are not incorporated into the rest of the list. These are still being tinkered with (last revision to wine list was 3/23/07), and one of the reds I had is no longer on offer. The first time I went to Morandi, we ordered by the glass so that we could try more than one wine. Most recently I had the one of the bianchi, the 2005 Vermentino di Gallura “S’Elme” Cantina del Vermentino. My friend was doing the wine ordering, and the sommelier, who was very prompt, polite, attentive, and knowledgeable, steered her in that direction. Did I like it? No. I’m sorry, Morandi. Next time I’ll order the Orvieto. I found the Vermentino simplistic and too acidic, but guess what? Keith McNally triumphs again. I’m pretty sure I was the only one in the entire restaurant who cared that the carafe wines were not that great.
Why? Because McNally’s an expert at giving the people what they want. He knows that many diners do not know a whole lot about wine, and he would never do anything to make us feel uncomfortable, particularly in the tricky field of Italian wines. So for the boozers, there’s wine by the carafe, for the winos, there’s the selection of fancy wines available by the bottle. And once those French doors are thrown open to the springtime, there will be nothing more refreshing than one of Morandi’s inexpensive lite white wines by the carafe.
Throughout this wine controversy, I became annoyed that some comments were signed only as “anonymous.” Then I realized you do not know my name either. It’s Marcy Swingle. Google me if you want to know more. The internet never forgets.
To the industry people: if I reserve at a restaurant under my own name from now on, it means I’m just there to eat, not to review. I’ll be using fake names to dine for future reviews. Though this may require the eventual wearing of wigs, I think it’s better to dine anonymously than to write anonymously.
My Previous Experience with Italian Wines by the Carafe
Someone suggested I not write about wines at all unless I’m an expert in the topic. Again, I’m no expert, but here’s my previous experience with Italian wine served by the carafe.
In 1993, I spent a semester abroad with an Italian family in Bagno a Ripoli, a suburb of Florence. They drank red wine with every lunch and dinner, and, in a custom I thought was quite strange but was also quite common, they poured their glasses half full with wine, then filled the rest with water. (They used wine glasses, not drinking glasses.) The wine wasn’t anything to be talked about; it was just part of the meal. My Italian “mother” got the wine, which was a Chianti, from a vintner nearby. Her family had bought wine from his family for generations. It didn’t come in a bottle but in a big glass jug; when she wanted more wine, she brought the glass jug back for him to refill.
my Italian host family, the Renais, outside their house in Bagno a Ripoli
In April, my parents came to visit me in Florence, and my Italian mother invited them over for a meal. Unlike me, my father actually is a wine expert. I grew up drinking excellent wines, mainly French and Californian, and so I remember wine labels and names – mostly of wines I can’t afford. My father arrived bearing a very nice Italian wine he’d bought at one of the shops in Florence. The gift had the opposite effect he’d intended: My Italian host family was horrified.
“Mother of God!” they said in Italian. “That wine: it’s too good! Why did he bring it? We can’t drink that now, with this meal. It’s too expensive.”
Fortunately, I was the only one there who could understand both English and Italian, so I managed to negotiate a deal with my Italian family before an international incident arose. They would “try” the fancy wine if they could serve their house wine with the meal.
A separate set of glasses was brought out for my father’s wine. Meanwhile, m
y Italian brother poured the house wine for my father, though I stopped him before he could dilute my the wine with water. My father poured the fancy shop wine into their glasses. Everybody drank.
“Buono,” the Italians said, eyeing their glasses as if they contained a form of liquid gold.
My father started to laugh when he tasted the jug wine. “It’s really good!” He raised an eyebrow. “Where did you get it?”
“From the guy down the road,” my Italian mother said.
My father wondered he could buy some from the vintner, which only confused them further. Why would he want a jug of wine? The local vintner didn’t even bottle it. Why would he want this wine if he could have something much better?
Because, I explained to my Italian family, “è così buono.”
And that’s how I think carafe wines should ideally complement the fancy ones. Is it possible outside Italy? If it’s possible anywhere, it’s possible in New York.
– Marcy Swingle
the disputed Morandi wine list as of 3/23/07, in its entirety
Maoz Vegetarian
The recent DOH shuttering of the popular vegetarian go-to spot Gobo threw downtowners into a tizzy. Gobo has since reopened (and sounds busy), but still… Though I’m not a vegetarian, and will probably return to Gobo someday, I sympathize with the squeamish. What’s a person for the ethical treatment of animals to do?
Fortunately a new rat-free vegetarian take-out place has opened in Union Square, land of the thousand yoga studios. Maoz Vegetarian (pronounced like Mao Zedong), is a popular European falafel chain that’s “dedicated to spreading the vegetarian lifestyle worldwide!” Because I am fascinated by things that are popular in Europe but may or may not catch on here, like David Hasselhoff, Mentos, and Pret A Manger, I decided to give it a try.
Though the space itself is tiny, with seating for just three or four people, the green-and-white tiled interior is very appealing. Squeaky clean and minimalist, Maoz is a vegetarian place designed for the IKEA era.
There’s nothing particularly revolutionary about a falafel sandwich, but Maoz’s extensive toppings bar is a new twist on an old standard. You can go wild piling your pita with cucumbers and dill, bulgur wheat salad, pickled carrot slices, cole slaw, olives, tomatoes and onions, excellent roast cauliflower, even cilantro sauce or salsa.
Dense, bright green and mildly spicy, the falafel tastes fresh and light. Here, too, Maoz shows more flexibility than the average falafel joint by offering it in several forms: as a Maoz sandwich (5 falafel balls) or a Junior (just 3), with feta, eggplant or hummus, or as a salad topper. The hummus is bland, but the Belgian fries are tasty. Like the falafel, they have a nice slow afterburn of Middle Eastern spiciness.
The new falafel shop also presents a solution to a common problem: What kind of portable, healthy food makes for an easy lunchtime picnic in Union Square park? Maoz is the answer. No fork required.
Maoz Vegetarian
38 Union Square East, between 16th and 17th Streets
212-260-1988
Williamsburg
Years after it became a destination for trend spotters and stylists in search of ideas, Williamsburg remains one of the most fashion-conscious places in New York. The specialty here is a quirky sort of jolie-laide style whose appeal is its resistance to the mainstream.
Williamsburg itself retains an element that has been lost to many Manhattan neighborhoods: a certain amount of mystery.
military brass
Verb Cafe, a neighborhood institution
crocheting
bangs – more Bettie Page than Reese Witherspoon
hats
skater culture
marigold yellow
car culture
a desolate stretch of Kent Avenue
mural by the bridge
Fab 208
Sixties mod. Metallics. Jersey and draping. They’re all great looks, but haven’t we seen them before?
Before you start kicking yourself for not raiding Mom’s closet decades ago, head over to Fab 208 in the East Village. For 15 years now, they’ve been taking vintage pieces, cutting them up, and sewing them back together into modern silhouettes. No need to worry about a big bow/weird ruffle/matronly neckline ruining an otherwise cool vintage dress; Fab 208 does all the editing for you.
The prices are mercifully gentle. Most things go for under $100, and all the vintage pieces are one of a kind. There’s also a plethora of fun accessories – vintage shoes, new patent leather belts, jewelry, and big bags in pleather that, unlike their leather counterparts, won’t set you back $1500. Some trends they understood better the first time around.
Alan, the store’s owner (and seamster?)
Fab 208
75 East 7th Street, between First and Second Avenues
212-673-7581